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THE NO HATE PAGE
Click on the links below for further text and imagery
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PINKBOY
Serigraph, 16 x 16", A/P, 2015
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PIG
Serigraph with Monotype, 20 x 16", Edition of 28, 2014
Collaboration with Leon Johnson and Leander Johnson for the "SNAKES, SWINE AND COCKS" portfolio curated by Brian Kelly
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Yik Yak Talk Back
Serigraph on T-shirts, 2014
Community project initiated by racist Yik Yak comments at Georgia College.
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Mise en Abyme
Serigraph and Archival Digital Print on Tyvek, 18 x 14", Edition of 17, 2012
For the portfolio exchange "Inverse Surveillance and Targeted Sousveillance," curated by Justin Diggle
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CAPGRAS DELUSION
Fb experiment, 2012
Jamais Vu et l'illusion des sosies
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Dixie Icons
Archival Digital Print, 2011
Fire House Gallery, Louisville, GA
In pressed trousers and crisp blue shirt...
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Reap
Serigraph with Gold Leaf on Rives BFK, 20 x 16", Edition of 55, 2011
For the portfolio exchange, "East/West," curated by Brian Kelly
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Ploutos: Chronicles of the Superrich
Art Action, 2011
Plutus is blind (indiscriminate); lame (slow to accumulate); and winged (quick to disappear)
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No Hate Crimes (Reported): Grand Rapids
Digital prints, acetate, MDF, 4 x 6' each
UICA Billboards, 2010
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Planet of Love
Global Action, 2010
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The Fearful Prey
Serigraph and Monotype, 6" x 5"
Click on image for Fisher's prints
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Friendly Reminders....
Public Fliers
Digital and Xerographic Prints, 11" x 8.5", 2009
Click on image for Fisher's prints
Click here to download a hi-res "Change" image for printing and posting
Click here to download a hi-res "Drive Responsibly" image for printing and posting
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EXECUTIVE BRANCH SUITE: PHASE II
Public Offering, 2008
"Using the materials supplied in the gallery or brought from home, please add your marks and erasures to the work done by those who have come before you. You are encouraged to consider your decisions, reflect upon your choices, and invite others to participate during the run of the exhibition."
Click here for full text and images of "Executive Branch Suite: Phase II"
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DELICATE SENSIBILITIES
Double-Sided Serigraph, 11" x 14", 2007
Click on image for Fisher's prints
Translation: One evening in 2005 six American civilians, including myself, were sitting around a table
having drinks and talking. Our daughter had been born recently, and I mentioned how I was
now very interested in her morning bowel movements. We could read them like coffee
grounds, divining the future of our day by observing the consistency of her poop. Loose
and brightly colored could mean a day of general irritability. Dark, rich and firm might see
a day of laughter and energy. This particular interest in her came as a surprise to me, I said,
but had become a morning ritual. One at the table immediately expressed his
displeasure with the topic. "That's disgusting! Having to smell that shit, disgusting. Don't
even talk about it. How could anybody think baby shit is something to talk about."
The conversation shifted. Quiet dialogues began, some drank silently, someone left.
After a few minutes the war in Iraq was mentioned. The group began to debate
the legality of the war, and the correct way to achieve its resolution. This was a
politically diverse group of acquaintances and the discussion was civil, but lively.
The man who earlier found the idea of infant feces to be revolting, spoke with a
calm, assured voice. "What we need to do, and I'm talking about the whole fucking
Middle East, we need to nuke the shit out of them. Nuke the whole goddamn place."
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SEMPER FI
Performance Action, Georgia College, 2007
Grim Reaper: "Good morning."
Marine Recruiter: "I wish my buddies were here..."
Click here for full text and images
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EXECUTIVE BRANCH SUITE
Public Offering, 2007-08
"Please use the provided charcoal, pencils, markers, erasers, and all other means to..."
Click here for full text and images of "Executive Branch Suite (Phase I)"
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COLONIAL TOWERS
Richard A. Lou and Bill Fisher, Mixed Media Construction, 80" x 24" X 24", 2006-07
"Exploring the construction of enemies and how that construction, and its inherent racist hierarchy, is used to justify the subjugation of communities of color..."
Click here for full text and images of "Colonial Towers."
Colonial Towers in "Art Papers"
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Seritypes: A Genetic Screening Project
Send an email, an attached image, a little DNA:
In answer to those who would demand we disregard the Constitution and common decency and live in silent, surveilled fear of unseen, dark enemies as proof of our patriotism, we now reaffirm our belief in a shared humanity.
The Human Genome Project has proven the concept of Race to be a construct, and illustrates the infinitesimal biological difference between individuals.
We deny race, gender, borders and the construct of "other," a key mechanism in the dehumanization of the Oppressed and the Oppressor. We affirm the fundamental parity of all individuals as revealed through analysis of the human genome.
Update:
Combining the genetic material supplied by hundreds of international participants with our serigraphic inks, the phenotypes of the (arguably) two most powerful men on the planet merge. Though seemingly polar opposites politically and philosophically, their rich common ground is now reified for all to witness.
Click here for full text of "Seritypes."
Seritypes in "Art Papers"
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MISSING STEREOTYPES,
Postering Project (Richard Lou and Bill Fisher), 8" x 10", 2005
Click here to download a full resolution 8 x 10 pdf file for printing and posting.
ÁMissing Stereotypes Missing!: Projects Censored in Georgia Exhibition: Click Here
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MISSING STEREOTYPES MISSING,
Postering Project (Richard Lou and Bill Fisher), 8" x 10", 2005
Click here to download a full resolution 8 x 10 pdf file for printing and posting. |
After being invited to exhibit his work, Richard Lou has had "Missing Stereotypes" as well as other collaborative and solo work censored by the Quinlan Visual Arts Center of Gainesville, Georgia. The work was removed from their show "Celebraci—n" on orders from the Board of Directors, friends of the Wilbanks family.
Press
AP Article
Gainesville Times
Vivir Latino Interview
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MISSING CELEBRACION,
Postering Project (Richard Lou and Bill Fisher), 8" x 10", 2005
Click here to download a full resolution 8 x 10 pdf file for printing and posting. |
Missing Stereotypes - public art piece. Distributing art-posters in Duluth, Georgia and sending T-Shirts with same image to principals in the Jennifer Wilbanks saga.
Bill Fisher and Richard A. Lou's "Missing Stereotypes" explores the media's narration of the "Runaway Bride", Jennifer Wilbanks, and her mythically racist account of being "kidnapped" at gun point and sexually assaulted by a Hispanic man and white woman....
Click here for full text of "Missing Stereotypes."
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No Hate Crimes (Reported)
NY/TX: No Hate Crimes (Reported)
Public Arts Project Proposal, Bill Fisher,2005
NY/TX: No Hate Detail
Public Arts Project Proposal, 2005
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GA: No Hate Crimes (Reported)
Public Arts Project Proposal, Bill Fisher,2005
GA: No Hate Detail
Public Arts Project Proposal, 2005
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For widespread distribution, each billboard would carry information relevant to its geographical location.
Modeled on the "No Traffic Fatalities in ____ Days" signs seen in some communities. The information is communicated through the conflict of emotions these signs elicit: as we feel relief or civic pride over a (seemingly) long period of time without a traffic death (or local hate crime), we are at the same time reminded of an unpleasant truth, in this case the knowledge that the denial of basic civil and human rights exists right here and vicious acts of destruction are perpetrated close to home. When the day-count numbers are low, this realization may be most powerful. Awareness of this issue, as with all social maladies, can be the first stage of a fundamentally decent population affecting positive social change within its community.
A brief list of hate crimes in Georgia as reported by the Southern Poverty Law Center:
Lawrenceville, Published on 08-28-2005.
Swastikas and obscenities were burned into the lawn of a Jewish family's home.
Covington,
Published on 03-24-2005.
Racial slurs and swastikas were spray painted on a black man's truck. The
windows were smashed and the tires were also slashed.
Statesboro,
Published on 11-06-2004.
Anti-gay epithets were spray-painted on a gay student's car at Georgia
Southern University.
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Athens,
Published on 09-13-2004.
Swastikas and a racial epithet were spray- painted on a black family's home.
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Tucker,
Published on 05-20-2004.
Racist graffiti was found on the running track at a high school.
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Trenton,
Published on 05-07-2004.
Six white men, Terrel Timothy Garner, Stacy Paul Jones, Steven Garland
Jones, Jeremy Ray Sims, Eric Shane Sullivan and Billy Richard Wells, pleaded
guilty to a hate crime charge of conspiracy to deprive civil rights for
burning a cross in the yard of a woman whose daughter has a biracial
boyfriend.
Canton, Published Winter, 2004. Four white students from Cherokee High School abduct a Latino man who is then subjected to a 30-minute pummeling, leaving him bruised and blooded from his thighs to his neck.
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YARD SIGN 1
Digital Print on Tyvek, Wooden Stakes, 18" x 24", 2004
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